摘要
冈仓天心的艺术思想接受了以庄子为代表的道家哲学的影响,如接受了"气韵生动"的艺术观,用庄子的气论来解释艺术的本质;强调艺术的超欲望、超功利性,把艺术理解为"无用之物的微妙作用",这与庄子"无用之用"的思想一致;认为艺术鉴赏的最高意义是鉴赏者获得心灵开放、自我超越,而对作品任其自然,这一思想与庄子的"天籁"之境意趣相同。
Okakura Tenshin's art theory accepted and absorbed the thought of Zhuang Zi. He accepted the lively view of art and drew on Zhuang Zi's theory of Qi to explain the essence of art; stressing the ultra desire and super utilitarian of art, he understood art as "the subtle effect of useless things", which was con-sistent with Zhuang Zi's thought of "Useless Use" ; Okakura believes that the highest of art appreciation is the reader obtains the open mind and self transcendence and works on their nature, and this is in line with Zhuang Zi's state of "Tian-lai".
作者
张谷
ZHANG Gu(School of Philosophy and Social Development, Northwest University of Politics and Law, Xi'an 710063, China)
出处
《广东外语外贸大学学报》
2018年第2期118-123,144,共7页
Journal of Guangdong University of Foreign Studies
基金
国家社会科学基金项目"道家哲学对日本近代思想文化的影响研究"(12XZX012)
关键词
冈仓天心
艺术思想
庄子
道家
Okakura Tenshin
art thought
Zhuang Zi
Taoism