蒙古族传统动物图案中的“天人合一”观解析

Analysis of the Concept of Harmony between Man and Nature Symbolized in Mongolian Traditional Animal Patterns

蒙古族传统动物图案中蕴含着精神意象上的"天人合一""天人感应"的朴素宇宙观、哲学观。早在北方草原石器时代即体现出了人与天的互动关系,并依靠形象化的动物图案来寓意这种思维观念。从玉器彩陶到青铜纹饰,再到蒙古族时期的动物图案,无不体现出这种"天人互动"的动态性的文化构建过程。蒙古族作为北方草原游牧民族的典型代表,其传统动物图案的哲学渊源复杂而多元,在民族多元文化的历史融合中,与中华传统文化的"天人合一""阴阳和合"等哲学理念也产生了深度的认同与涵化,并深刻影响着蒙古民族传统动物图案艺术创造和象征内涵的构建。

The concept of harmony and interaction between man and nature reflected in Mongolian traditional animal patterns is a primitive and simple outlook on the universe and philosophy produced by the northern grassland ancestors as early as in the Stone Age. The dynamic cultural construction process of the interaction between man and nature can be seen from jade colored potteries,bronze ornamentations and animal patterns of Mongolians who are the typical northern nomadic ethnic group. The philosophical origin of their traditional animal patterns is complex and diverse,and in the profound historical integration with multi ethnic cultures and the philosophical ideas of harmony between man and nature and harmony between Yin and Yang in Chinese traditional culture,it has a profound impact on the artistic creation and symbolic connotation construction of Mongolian traditional animal patterns.