摘要
一个婴儿,从呱呱坠地,就要开始接受来自外部环境的各种考验,第一声啼哭就是从被动受氧到主动吸氧的转变,但是吸到第一口氧气,也不代表婴儿的存活能力,因为这个世界太过复杂,婴儿需要慢慢适应,对世界也要逐步接受。歌剧《奔月》就是这样一个＂婴儿＂,在我见到＂它＂之前,我对＂它＂充满了好奇,也充满了想象,而当＂它＂真的呈现在我面前时,我居然有点无措,曾经的好奇不再神秘.
OUTLINE / The opera Flying to the Moon is a positive and sincere production. Despite some imperfections, the work already has fine operatic ＂genes＂ because the creative team combines daring and open-mindedness, humility and honesty in their collaboration.
出处
《歌剧》
2018年第5期38-41,共4页
Opera
