摘要
作为汉大赋的先驱之作,《七发》的文本结构与内容不仅带有先秦以来招魂礼俗的鲜明印记,而且构思精妙,依据《周易·复卦》体现的阴阳消长的哲学理念和天道至七而复("七日来复")的自然规律结撰全篇。吴客陈说七事为楚太子疗疾的过程,既是借鉴楚地招魂礼俗为楚太子招生魂的过程,也是阴阳二气消长变易"至七而复"的循环过程。正因为这样,《七发》不仅明显承袭了《大招》《招魂》的文本内容,而且也体现了《周易·复卦》所蕴含的"返归故居""返归善道""阳气复生""至七而复"等思想观念。"七发"的实际意蕴,即"阳气一个周期的生发"。
As a pioneer of the Han fu（rhapsody,a kind of rhymed prose prevalent in the Han dynasty[206 BCE-220 CE]）,not only did the structure and contents of Mei Sheng＇s（d.140 BCE）Qi fa have a clear stamp of the age-old custom of calling back the spirit of the dead,but also possess an ingenious conception,which embodies the philosophical idea of a seven-day cycle of waxing and waning of yin and yangforces conceived in the hexagram Fu [,Return,24].The course that the guest from the state of Wu follows when telling the prince of the State of Chuthe seven events,in order to cure his diseases,was a not only a course of calling back the spirit of the dead based on the custom popular in the state of Chu,but also a course of a circular return of the waxing and waning of yin or yangforces within seven days.On this account,not only had Qi fa evidently adopted textual contents from Qu Yuan＇s（c.342-278 BCE）Da zhao and Zhao hun,but also reflected the concepts of＂returning to a former residence＂,＂returning to a good way＂,＂rebirth of the yang energy＂,and＂returning on the seventh day＂conceived in the hexagram Fu of the Zhou yi.Actually,Qi fa signifies the cyclical rebirth of the yang energy.
作者
丁宏武
DING Hong-wu(School of Chinese Literature, Northwest Normal University, Lanzhou, 730070, Chin)
出处
《周易研究》
CSSCI
北大核心
2018年第2期76-88,共13页
Studies of Zhouyi
基金
2010年国家社会科学基金重大招标项目:"<全先秦汉魏晋南北朝文>编纂整理与研究"(10﹠ZD103)
