琴曲《梧叶舞秋风》及其两个不同版本之比较

Comparative Research on two Editions of Gu Qin Composition Plane Tree Leaves Dances with Autumn Wind

采用"多视窗"的制谱方式对清代琴曲《梧叶舞秋风》的两个传世版本进行比较分析,可厘清二者在谱面、风格以及传承方式上的不同。虞山吴氏对《梧叶舞秋风》一曲的打谱具有统一的律动性及局部的起伏性,辅之以较快的速度,刻画出秋风舞动之感;广陵梅氏的传谱由于对变换节拍的普遍使用,使其不具有同一节拍下的律动感,辅之以较慢的曲速,呈现出秋天清冷萧瑟的画面。

It is possible to clarify the differences among the compositions, styles and inheritance methods of the two editions of Plane Tree Leaves Dances with Autumn Wind when carrying out a comparative research on the two handed down editions of Qing Dynasty Gu Qin composition through the method of ＂multi-window＂. The Wu＇s from Yushan has a unified rhythmicity and partialundulations in the spectrum ofthe Gu Qin composition, which is accompanied by a relatively fast speed to depict the feeling of the dance of autumn wind, while the Mei＇s from Guangling is due to the transformation with the use of rhythm makes it different from the same rhythm, coupling with the slower playing speed, showing a cooland bleak autumn picture.