韩愈《南山诗》与其古文创作关系探赜

Han Yu's Nanshan Poetry and His Prose Writing in the Ancient Style

韩愈在其早期的古文写作中好用同类字排比句式,大抵与之同时,他提出了"气盛言宜"与"不平则鸣"两个创作理论。《南山诗》作于元和元年,是韩愈在"不平则鸣"状态下所创作,全诗连用五十余个"或"字排比句式,不仅是"气盛言宜"理论的具体表现,而且与韩愈古文创作的方式有着一脉相承的关联。作为"以文为诗"与中唐"古文运动"的积极倡导者,韩愈在诗歌的创作中突破了体裁的界限,这种对体裁"适应性"的突破,在《南山诗》的创作中得到了充分地体现。

Han Yu had a fondness for sentences in similar-word parallelism during his early prose writing, and nearly at the same time, he put forward two composition theories --- Qisheng Yanyi （a writer in the high moral realm speaks and writes properly regardless of his wording and tone. It is a kind of spirit and a kind of personality as well.） and Buping Zeming （a person has to make a speech in a specific context： his singing is thinking and his crying is aspiration. The essence of the human voice is the language, and the diction is the essence of language, especially the one that can effectively express it）. Nanshan Poetry was created in the year of 806, an expression of his theory of Buping Zeming. Parallelism sentences with over 50 consecutive ＂or＂ is not only a concrete representation of Qisheng Yanyi, but also has a close relation with his prose-creation. As an active advocate of ＂Prose as Poem＂ and the Classical Prose Movement in the Mid-Tang Dynasty, Han Yu broke the boundaries of genre in poetry writing. Such breakthrough is adaptability to genre, which is fully reflected in the creation of Nanshan Poetry.