“上海特别快”与都市欣快体验-以新感觉派为中心

“Shanghai Express” and the City's Euphoria Experience:Taking the New Sensationalism as the Center

新感觉派笔下的火车是资本主义上升时代的隐喻。在不同时空的对峙、插穿与闪回中,古老的龙的神性和现代的火车的魔性,留给都市人的是震惊、兴奋、恐惧混合在一起的漂移体验的狐步诗学。火车的发明,不仅使快速旅行更加方便,而且增加了陌生男女的邂逅几率,甚至因为陌生的、匿名的、快闪的异托邦时空,最适合两性调情,而不用承担道德的风险。然而,深刻的悖论在于,一旦乘上现代化的快车,人类就无法摆脱被现代性控制的命运,人的沉沦将是永恒的命运,男欢女爱之后,还得"赶回去的列车"。蒸汽机车的时代对文学创作提出了新的要求,这是一种被穆时英誉为"鸡尾酒式样混杂性"的现代写作技巧。

The train in the writing of New Sensation School is a metaphor of the rising capi- talist era. In the confrontation, insertion and flashback of different space-time, the divine nature of the ancient dragon and the demon of modern trains leave to the urbanite Fox-step poetics of drift experience mixed with shock, excitement and fear. The invention of the train not only makes fast travel more convenient, but also increases the chance of meeting strangers, and even escapes from taking the risk of morality because of the strange, anonymous, and flash of the uto- pian time and space, which is most suitable for the sexual flirting. However, the profound para- dox lies in the fact that once in the modernized express, human beings cannot get rid of the fate controlled by modernity, and the fall of human beings will be the eternal fate. After making love, they have to ＂catch the train back＂. The age of steam engine has put forward new requirements for literary creation, which is a modern writing technique known as ＂cocktail hybridity＂ named by Mu Shiying.