摘要
文章首先分析了19世纪晚期日本蚕室建筑随着养蚕方法的研发和进步,逐渐从民居建筑发展出成熟的、专门化的蚕室形制的过程;然后通过比较汪炳文、陈明璋设计的福建改良蚕室与日本竞进社蚕室,探讨蚕室建筑形制传播过程中的"环境调控形式"和"建造形式"的关系,文章认为,在建筑形制传播过程中,恰恰是技术与技艺的分离,使得本土建造传统得以与新的技术结合,带来新的创造。
This article first analyses the process through which the silkworm breeding buildings in Japan had gradually evolved from residential form to specialized cocoonery architecture in late-nineteenth century. This is followed by a comparative study between a design proposal for a cocoonery building in Fujian Province of China made by Wang Bing-Wen and Chen Ming-Zhang in 1929 and Kyoshin-sha's prototype of cocoonery architecture established in 1894. Based on the comparison, the article ponders on the implications of the "form of environmental regulations"and the "form of tectonics" during the proliferation of the prototype of cocoonery architecture. It argues that, during the proliferation of an architectural prototype, the separation between technology and technique allows regional building traditions to engage with new technologies as a way to generate new creativity.
作者
鲁安东
梅凯强
LU Andong;MEI Kaiqiang
出处
《时代建筑》
2018年第3期26-31,共6页
Time + Architecture
基金
国家自然科学基金资助项目(51478215)
关键词
蚕室建筑
环境调控
建筑形制
地方建造
技术
技艺
Cocoonery Architecture
EnvironmentalRegulation
Architectural Prototype
RegionalConstruction
Technology
Technique