从汉传佛教观音造像与西方圣母像的共通性窥见宗教艺术的世俗化表现

An Investigation of the Secularization of Religious Art Based on the Commonness between Chinese Buddhism Guanyin Statues in Han Dynasty and Western Madonna

中国汉传佛教观音造像与西方圣母像是中西方宗教文化艺术的典范,通过梳理她们的发展历史及其基本特征,探究中西方宗教造像艺术之间存在的共通性,从而窥见宗教艺术与世俗生活之间的关系。

Chinese Buddhism Guanyin Statues in Han Dynasty and Western Madonna is a model of religious and cultural art between China and the West, this paper combs their development history and basic characteristics. It further explores the commonness existing between Chinese and Western religious statues. This reflects the relationship between religious art and secular reality.