摘要
陶艺的发展在经历几个时期的转折后,呈现出它更加成熟和多元的样貌。陶艺家们不再像早期一样,仅仅用陶艺作品表现对土与火的征服,而是表现出了当代陶艺更多未开化的特质。影像技术对当代陶艺的介入就体现了当代陶艺的这种时代性和实验性。而本文从社会心理学的角度解释当代陶艺的这种多元化的现象。
After the turning of several periods, the development of ceramic art presents its more mature and pluralistic appearance. Potters are no longer as early as they are, only using pottery works to express the conquest of earth and fire, but to show more uncivilized qualities of contemporary ceramic art. The intervention of image technology to contemporary ceramic art embodies the epochal and experimental nature of contemporary ceramic art. This article explains the pluralistic phenomenon of contemporary ceramic art from the perspective of social psychology.
作者
李思安
Li Sian(Jingdezhen ceramic University, Jingdezhen city, 33300)
出处
《陶瓷研究》
2018年第1期61-63,共3页
Ceramic Studies
关键词
当代陶艺
影像技术
跨界组合
多元化
contemporary ceramic art
image technology
cross boundary combination
pluralism