试论民间舞作品舞台调度的基本类型与审美模式——以第十一届中国舞蹈“荷花奖”民族民间舞评奖内容为例

The Basic Types and Aesthetic Models of Chinese Folk Dance Management Onstage

第十一届中国舞蹈"荷花奖"民族民间舞蹈评奖已落下帷幕,作为全国顶级赛事,本届舞蹈比赛作品可圈可点。本文以此次舞蹈比赛作品的舞蹈调度为研究对象,从舞蹈舞台调度的主要类型和审美形式展开分析,针对作品之多、覆盖地域之广、形式题材之宽的民间舞创作现状,以舞蹈调度这一形式要素进行创作反思,为舞台化的民间舞创作和表演提供借鉴与思考。

The stage creations of folk dance originate from relevant culture rituals,which are unique in the cultural identity.Nowadays,the theme of dance stage creation tends to be wide and varied in form. The eleventh Hehua Award of Chinese Dance Competition has fallen to the curtain. As the top competition in the country,the works are remarkable. This paper analyzes of the basic types and aesthetic forms of folk dance works in the competition,covering various geographical forms and themes. on the management onstage of the dance forms,it provides reference for the dance stage creation and performance.