摘要
文章以当代舞蹈作品《白纻舞》和《胡旋舞》为例,从舞蹈的舞姿造型、服饰装束、形象特性等方面着手,对古代文学书写下的形象描绘与当代舞蹈创作中的形神复现进行评析,力图将当代古典舞作品置于文学书写与艺术创作相关联的比较研究视角之中进行剖析和解读。
As one of the important representatives in art history,Chinese ancient dance has been enriched and developed with the impetus of contemporary Chinese dance research. The reconstruction and reproduction of the dance images,which were originated from ancient literature,have historical significance and artistic value. This paper compares original literary images with reproduced dance figures in terms of gestures,costumes and characters from the two Chinese ancient dance works,and dance criticism is made in the perspective of comparative study between literature and classical dance.
作者
闫伟康
YAN Wei-kang(Department of Dance, Hebei Vocational Art College,Shijiazhuang 050011, China)
出处
《北京舞蹈学院学报》
CSSCI
2018年第2期56-59,共4页
Journal of Beijing Dance Academy
关键词
白纻舞
胡旋舞
文学书写
当代创作
Bai Zhu dance
Hu Xuan dance
literature
dance creation
dance criticism