摘要
2017年7月7日晚,北京舞蹈学院举行了2017舞蹈艺术"学院奖"舞蹈创演竞赛现当代舞组的决赛。从进入决赛的十八个作品来看,编导已不再止步于西方现当代舞编排技术的运用,而是有了新的转向,这种转向主要表现在不同舞种间跨界的结合与创新;尝试折射和反思社会现象;将传统素材进行当代演绎三个方面。本文通过对参赛作品的具体分析,透视现当代舞蹈作品的编创特点和审美取向,以期为中国舞蹈创作提供参考。
As for the eighteen modern and contemporary dance works of the 2017 BDA Academy Award,the choreographers' focus has not been limited to the forms and skills of modern dance,but turns to the exploration of aesthetic connotations and rich content. It results from not only the new collective consciousness of the dance creations,but also the integration of the aesthetic style of the nation.Based on the analysis and interpretation of these dance works,the paper attempts to demonstrate a better understanding of the choreographing characteristics and aesthetic orientations,aiming to provide reference for China's dance creation.
作者
官效臣
GUAN Xiao-chen(School of Music, Shandong Normal University, Jinan 25000, Chin)
出处
《北京舞蹈学院学报》
CSSCI
2018年第2期60-62,共3页
Journal of Beijing Dance Academy