摘要
文章从听觉分析的角度探讨了当代音乐中四个有强烈反差的流派,它们迥然不同的音乐语言呈现出了两极化的音乐形态。从整体序列、新复杂主义到简约派、新简约主义,截然不同的审美情趣与技术特点从不同方面对听觉产生了冲击,也造成了听觉现象的差异。"语境"决定了挑战的本质,"语境"也提供了应对的方法。
The author discusses four different contemporary schools,including their polarized musical shapes with musical languages in striking contrast. From integral serialism,new complexity,to minimalism and new minimalism,the greatly distinctive aesthetics and techniques have exerted impact on hearing and created difference in this sense.The context not only determines its challenging nature but also provides the way of coping with.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2018年第2期144-150,共7页
Art of Music(Journal of the Shanghai Conservatory of Music)