摘要
通过对音乐新媒体艺术视角下的媒介理论、声音-媒介关系进行探讨,推导出反应听觉主导互动性的媒介模式.以作者的多部作品为例,分别对介于声音与动势、影像、灯光间的交互机制进行分析,从而揭示当代音乐新媒体艺术作品如何围绕听觉建构,并综合呈现技术性、人为性和复杂多元的形式特征.
Through the discussion of the media theory and audio-media relationship under the perspective of music new media arts,the interactive auditory dominant media mode is deduced.The authors' example works are conceived and designed with the interaction mechanism between sound and gesture,image and lights.The analysis of them will be helpful to reveal how the contemporary music new media art works are constructed around sound, besides,demonstrate their compositive characteristics of technology,humanization and diversification in form.
作者
徐志博
房大磊
达彦
YANG Bo;LI Shengchen;HAN Baoqiang(Department of Music Technology, China Conservatory of Music, Beijing 100101, China;Institute of Information Photonics and Optical Communications, Beijing University of Posts and Telecommunications, Beijing 100876, China)
出处
《复旦学报(自然科学版)》
CAS
CSCD
北大核心
2018年第3期320-327,共8页
Journal of Fudan University:Natural Science
基金
2016年上海市艺术科学一般项目<音乐新媒体艺术研究>(2016D08)
关键词
媒介
媒介模式
声音
交互技术
audios
spectral analysis
modeling
difference
significance