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关中民居题材油画的民族性探研

National Study of Guanzhong Folk House Oil Paintings
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摘要 关中民居油画以民居为题材进行油画创作,它形式多样,内容丰富,并承载着深厚的人文内涵,体现出民族性特点,耐人寻味,引人深究。民居题材油画集居住的实用性与审美的艺术性于一体,当民居建筑与绘画相遇,便碰撞出艺术的火花,探讨民居题材油画的民族性,旨在以油画表现民居民族性之美,探讨民居油画的历史文化价值,延展出对民居的保护与民居文化的传承意识。在民居生态下探讨油画民族性,从主体观念、形式、内容、本体与民族性的具体表现等方面展开阐述,以民族性为契机,进而使关中民居油画迸发出生机与活力。 Guanzhong folk house oil paintings focus on the theme of folk house to create the oil painting works,which are enriched with the national features such as its varieties,its rich contents and its profound humanistic connotations,to inspire the artists to have the further study. It is integrated the practice with the aesthetic art. When the folk house architecture meets the painting,there is the artistic flame. To study the nationality of folk house painting is to discover the folk house national aesthetic beauty of the oil painting,and to study the historical and cultural value of the folk house oil painting is to advance the heritage awareness of the folk house protection and culture. From the perspective of folk house ecology,the paper puts forward the nationality of oil painting,based on the subjective concept,form,content,noumenon and national character,and for the sake of the national character,the Guanzhong folk house oil painting would be refreshed and vigorous.
作者 尉艳丽 YU Yan-li(Art School of Silk Road, Weinan Normal University, Weinan 714099, Chin)
出处 《渭南师范学院学报》 2018年第11期84-89,共6页 Journal of Weinan Normal University
基金 陕西省社科界重大理论与现实问题研究项目:陕西美术促进民居生态文明保护的策略研究(2018Z062)
关键词 关中 民居题材 油画 民族性 Guanzhong theme of folk house oil painting nationality
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