模式化视域中的《离骚》创作

On the Creation of Li Sao from the Perspective of the Patterned Model

作为文学史上的巅峰之作,《离骚》的创作存在耐人寻思的模式化倾向。这种模式化特征主要表现在比兴特点、文章结构、遣词造句等诸多方面。之所以表现为这种创作特征,主要与《离骚》的创作缺乏文学上的积淀有关。同时,屈原是一个政治诗人,题材的局限形成了一种模式。而他强烈的自我意识,也促使其创作以模式化的感情、心理为中轴展开。《离骚》创作的模式化倾向,在一定程度上决定了其美学特质的单一性,却又影响深远。只有置屈原辞于文学史的整体观照之下,方能对其创作的模式化特征作出恰当的评价。

As a pinnacle of literary work, Li Sao shows in its creation a trend of patterned model, which is reflected in its rhetoricaldevice of bixing, text structure as well as wording and phrasing. These features in its creation are mainly due to the lack of literaryaccumulation at that time. Meanwhile, Qu Yuan is a political poet and the subject of his creation is limited into a certain pattern.Furthermore, his strong self-consciousness also plays a part in his creation that is centered on the patterned emotion andpsychology. The patterned tendency in the creation of Li Sao, to some extent, gives rise to its monotony？in aesthetic traits, yetwith a far-reaching influence. Only by putting Qu Yuan into the whole context of literary history can we make a proper evaluationof the patterned model in his creation.