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多元语境下的公共艺术新视野

New Vision of Public Art in the Multicultural Context
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摘要 2017年上海美术学院发起国际公共艺术研究工作营,以"大栅栏公共艺术在地性研究"作为开营调研课题。本文将工作营的结构模式以及中外专家在多元语境中所呈现出的"状态"作为观察对象,思考总结其中的特点,结合中外公共艺术研究的相关特征,寻找内在的规律和要素。通过梳理分析此次调研过程中国内外学者在研究内容、角度、边界等不同层面呈现出的差异,探讨国际公共艺术研究工作营在课题研究成果之外更为重要的模式意义和内涵。 In 2017,the Shanghai Academy of Fine Arts initiated the International Public Art Research Camp,which is based on the"Dashilar Site-Specific Public Art Research"as a research topic for the opening of the camp.This paper takes the structural model of the work camp and the"states"exhibited by Chinese and foreign experts in a multi-lingual context as the objects of observation,considers and sums up the characteristics of them,and combines the relevant characteristics of Chinese and foreign public art studies to find internal laws and factors.By combing and analyzing the differences between domestic and foreign scholars in research content,angles,and boundaries in the process of this investigation,this paper discusses the more important significance and connotation of the model of international public art research camp beyond the research results of the project.
作者 冯祖光 Feng Zuguan
出处 《公共艺术》 2018年第3期42-44,共3页 Public Art
关键词 多元语境 公共艺术研究 模式特征 multicultural contexts public art researc pattern feature
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