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先锋派艺术的政治潜能:阿列西·艾尔雅维奇论先锋派艺术

The Political Potential of Avant-garde Art——Ales Erjavec's Idea on Avant-garde Art
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摘要 当代著名美学家阿列西·艾尔雅维奇(Ales Erjavec)近年来研究的重点是先锋派艺术。在对先锋派艺术进行深入分析的基础上,艾尔雅维奇提出了"审美先锋派"的概念。在对东欧、俄罗斯等后社会主义国家和社会主义国家(如中国)的当代艺术进行研究的基础上,他创造性地提出了"后社会主义先锋"的概念。他还深入思考了先锋派艺术与政治的关系问题:在微观的维度上,他结合具体的艺术作品指出了先锋派艺术作品的政治潜能;在宏观的维度上,他分析了审美革命与政治革命之间相互类似、相互促进的关系。 Ales Erjavec,a famous contemporary aesthetician,has been studying avant-garde art in recent years.Erjavec put forward the concept of"aesthetic avant-garde"according to the in-depth analysis of avant-garde art.After studying the contemporary art of the post-socialist countries in Eastern Europe,Russia and socialist countries(such as China),he creatively came up with the concept of"post-socialist avant-garde".He also pondered the question of the relationship between avant-garde art and politics:on the microscopic dimension,he pointed out the political potential of avant-garde works of art;on macro-level,he analyzed the relationship between the aesthetic revolution and the political revolution,with the conclusion that they are similar to each other and they can promote each other.
作者 郑丕博 ZHENG Pi-bo(School of Chinese Language and Literature, Lanzhou University, Lanzhou 730020, Chin)
机构地区 兰州大学文学院
出处 《兰州文理学院学报(社会科学版)》 2018年第3期98-103,共6页 Journal of Lanzhou University of Arts and Science(Social Science Edition)
关键词 阿列西·艾尔雅维奇 审美先锋派 后社会主义先锋 美学革命 Ales Erjavec aesthetic avant garde post-socialist avant-garde aesthetic revolution
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