基于绘画技艺下的龙泉青瓷刻划纹饰研究

Study on Longquan Celadon Carved Emblazonry, based on Painting Skills

陶器刻划萌芽于远古旧石器时期,在两晋、南北朝时青瓷刻划使用普遍。龙泉窑青瓷在五代到北宋早期,通过借鉴学习,技艺不断改进,到北宋中晚期龙泉金村窑的刻划技艺手法自如、灵动、飘逸,达到独具江南灵秀之气的艺术效果。文章对当下龙泉青瓷刻划如何置于中国绘画技艺下予以分析,融合绘画性技法展现笔法与刀法的工艺转换,呈现工艺美术适应时代转换新的视觉表达是文章关注的重点。

Pottery carved sprouted in Paleolithic period and been widely used in Jin Dynasties and Southern and Northern Dynasties. Form the Five Dynasties Period to early Northern Song Dynasty, by imitating and studying,the skill of Longquan kiln celadon was greatly promoted. By middle-late northern song dynasty, the aforesaid, dynamic, flowing skills of Longquan gold village kiln carve achieved the artistic effect of unique Chinese Jiangnan elegance. The focus of this article are how to analyze the Longquan celadon carving technique with Chinese painting art, how to fuse the painting techniques to illustrate the transfer between the brushwork and knife,how to present industrial art with adapting new visual expression under contemporary era.