摘要
作为"活态"传承的"非遗"艺术,歌仔戏既体现着闽南文化特有的本土特质,又期待着在时代精神的表现中实现文化传统的创造性转换。通过搜集文献资料、田野调查和深度访谈,发现闽南地区歌仔戏剧团的演出模式主要有业务演出、小剧场演出、竞技演出、公益演出、交流演出五种。研究表明,这些演出模式与民众需求、表演水准、剧种特质、私营剧团活跃等因素密切相关。
As an opera art of living intangible cultural heritage, Gezi Opera, demonstrating the unique local feature of Minnan culture, is expected to realize the creative transformation of the traditonal culture in the expression of the spirit of the times. Based on literature search, field instigation and in-depth interview, this paper explores the performance models of Gezi troupes in Southern Fujian, finding that Southern Fujian opera troupes" performance models mainly consist of five forms: business performance, small theatre performance, competitive performance, benefit performance, and exchange per- formance. The research shows that all these models are closely related to the public demands, performance level, charac- teristic genre of drama, and active private troupes.
出处
《闽台文化研究》
2018年第1期77-92,共16页
Fujian-Taiwan Cultural Research
关键词
闽南地区
歌仔戏剧团
演出模式
Southern Fujian
Gezi Opera troupe
performance model