摘要
从1930年代上海的左翼文化运动到1940年代延安文艺政策确立,实际上暗藏着一条历史线索可循。一方面,由于上海等地"亭子间文人"的到来,延安多样化而瑰丽的文艺界出现了众声喧哗的新格局;另一方面,上海孕育的大众文艺运动的发生发展也为延安文艺政策的确立提供了依据。"上海"之于"延安",既作为经验又作为教训双重"在场"。在此背景下,中国共产党人在延安通过积极地探索自己的文艺观和文艺思想,最终确立文艺为工农兵服务的文艺政策。
From the left wing cultural movement of Shanghai in the 1930 s to the establishment of Yan'an's policy of literature and art in the 1940 s,there is a hidden history. The coming of writers from Shanghai and various literary forms make up a new shape. On the other hand,the birth and development of the popular literary movement in Shanghai provided the basis for Yan'an's policy of literature and art."Shanghai"is,to"Yan'an",both as experience and as a double"presence". In this background,the policy of literature and art for the service of workers,peasants and soldiers was finally made.
作者
黄静
HUANG Jing(Department of History, Fudan University, Shanghai 200433, Chin)
出处
《河北学刊》
CSSCI
北大核心
2018年第4期115-119,共5页
Hebei Academic Journal
关键词
左翼文化
中国共产党
延安文艺政策
left wing culture
the Communist Party of China
the policy of literature and art in Yan'an