摘要
苏联解体之后,俄罗斯当代涌现出了一系列通过戏仿契诃夫代表剧作而创作完成的戏剧,它们在主题意蕴、人物形象、戏剧精神等方面推翻了契诃夫戏剧的美学范式,流露出了当代剧作家们在新的世纪之交时期的茫然心态和对解体后当代俄罗斯社会的失落情绪。此类契诃夫戏剧的戏仿之作表现了一种后现代语境下的叛逆性格,同时也暗含着作者们不同的个人情绪。
After the disintegration of the Soviet Union,a series of dramas written by parodying Chekhov's representative plays appeared in contemporary Russia.They overturned themes,characters and theatrical spirit of Chekhov's dramas,showing contemporary Russian authors' confusing mind in the new period of the turn of the centuries as well as the lost mood in contemporary Russian society.Such parodying dramas represent a kind of postmodern rebellious spirits,showing the authors' different moods.
作者
唐可欣
TANG Ke-xin(Department of Drama Literature, The Central Academy of Drama, Beijing 10071 O, China)
出处
《山西师大学报(社会科学版)》
2018年第4期92-96,共5页
Journal of Shanxi Normal University(Social Science Edition)
基金
中央高校基本科研业务费专项资金资助(中央戏剧学院科研项目YNQN1813)
关键词
当代俄罗斯戏剧
契诃夫
戏仿
contemporary Russian drama
Chekhov
parody