摘要
《藻海茫茫》中的安托瓦内特和《雷雨》中的蘩漪是中西方文学作品中两个典型的疯女形象。婚前她们都是一场利益交易的筹码,被迫结婚;婚后,她们遭遇冷落与虐待。"楼上"的囚徒,家庭角色中的多余人。作品虽分属于东西方,但两个艺术形象却有着较多的共同点,由此窥探中西方在文学创作中的相似性。
Antoinette of The Wide Sargasso Sea and Fanyi in Thunderstorm are two typical images of mad-women in Chinese and western literatures. They were both bargaining chips and forced to marry before marriage,and both suffered neglect and abuse and finally became unnecessary persons of the family after marriage. Although the works belonged to the east and the west respectively,the two artistic images have much in common. Thus,we can explore the similarities between Chinese and Western literary works.
作者
张承姣
ZHANG Cheng - jiao(College of Foreign Studies, Guilin University of Electronic Technology, Guangxi Guilin 541004, China)
出处
《菏泽学院学报》
2018年第3期45-49,共5页
Journal of Heze University
关键词
疯女形象
相似性
楼上
多余人
madfemale image
similarity
loft
unnecessary person