摘要
关于“后现代主义”——我从后现代的经历中学到的一课，就是正确处置每个项目。你要研究项目的具体情况，然后找到一种设计可将你的解决方案恰当地放置于这个框架内。——AC建筑刨作（AC）：作为20世纪60年代“后现代主义”运动的先锋旋手，您在中国建筑学界非常知名。我们注意到，陋着时间的推移，您的建筑实践渐渐与其他后现代主义者产生了差别。
STERN： That＇s an interesting question about ＂postmodernism＂ in general. It was a movement of the late 1960s, absolutely. I still think we are in a postmodern condition, not only in architecture, but in all the arts. You know, in a funny way, even in politics in 1965 or 1966, China was a very different place than it is today. It believed in a single, narrow focus. What postmodernism says, at the most basic level, is in the modern world it＇s not a singular thing as modernism had argued, but there are many directions-cultural, political, and artistic directions-and they are not necessarily as high and low, good and bad, but different. Our obligation as architects or artists is to connect to different ones.
出处
《建筑创作》
2018年第1期8-25,共18页
ArchiCreation
