摘要
随着科技进步,传播媒介正经历从印刷时代向电子时代的跨越,文学作品的载体正形成由纸本向电子媒体的迁徙。近年来,微信文学发展迅猛,一定程度上改变了文学生态的既有格局。就创作主体而言,职业作家正遭遇主体大众化的冲击;就生产出来的文学作品而言,是娱乐世俗的作品对高雅严肃的作品的稀释与挤占;就生产模式而言,自主自发型的狂欢化写作,正努力完成对指导性写作与诱惑性写作的排斥和疏离。在以微信为代表的新媒体影响下,文学生产的转变反映了媒介、权力、经济、文化等因素与人类语言发展之间的复杂联系,体现了文学对新环境的适应与探索。
With the advancement of science and technology, the media is experiencing the leap from the printing era to the electronic age, and the carrier of literary works is forming the migration from paper to electronic media. In recent years,WeChat literature has developed rapidly, which has changed the existing pattern of literature ecology to some extent. In terms of creative subjects, professional writers are suffering from the dilution of popular subject. As far as the literary works are concerned, it is the dilution and occupation of elegantandseriousworksby the entertainment secular works; In terms of production mode, spontaneous carnival writing is trying to repel and alienate instructional writing and seduction writing. Under the influence of new media such as WeChat, the transformation of literary production reflects the complex relationship between media, power, economic intervention and human language development, which reflects the adaptation and exploration of literature to the new environment.
作者
张伟
ZHANG Wei(School of Literature, Southwest University, Chongqing 400715, China)
出处
《三明学院学报》
2018年第3期56-61,共6页
Journal of Sanming University
基金
重庆市研究生科研创新项目(CYS16062)
关键词
微信文学
文学生产
新媒体
媒介
WeChat literature
literary production
new media
medium