无巧之巧：蒙太奇式的小说叙事的新尝试--李红长篇小说《潮起潮落》的艺术性管窥

Book Review of Li Hong＇ s Novel Tide in and Tide out in the Perspective of Montage Narration

李红的长篇小说《潮起潮落》,以蒙太奇式的叙述策略、卷轴画式的结构方 式展开叙事 ,反映了新中国成立以来在社会变革的大潮中普通百姓的生存境遇和起伏动荡的命运遭际.作品以生动真实的生活情景 表现了特定历史环境中的人性、人情和人伦境遇,把普通百姓在艰难环境中的乡情、亲情、人情写的细腻生动, 刻画出了一系列丰富的典型化的人物形象,展现了不同人的心理状态和精神风貌,特别是写出了处于绝境中的 女性心灵深处那种源始的崇高和伟大.

Li Hong＇s novel Tide in and Tide out tells stories with montage narrative way and theof scroll painting style. It reflects the living conditions and ups and downs of common people change since the founding of new China , and reveals the human nature , emotions and relationstorical environment with vivid and real life scenes. It also depicts a series of rich and psychological state and spiritual outlook , especially the greatness of the females in desperate , to show homesick-ness ,kinship , and human nature of ordinary people in the hardships.