赞助人和艺师主导下的戏剧叙事——台湾野台布袋戏的戏剧场分析

Drama Narrative Dominated by Patrons and Artistes——An Analysis of the Drama Field of Taiwan Outdoor Budai Puppet Show

布袋戏作为闽台地区重要的传统戏曲类型,在诞生之初以草台班的形式走乡串镇进行表演,是名副其实的"野台戏"。在没有戏院等限定空间所带来的权力制衡的状态下,野台布袋戏的表演形式、表演内容都受制于野台这个特殊场域的权力结构。在野台布袋戏权力场域中,舞台、赞助人和艺师都占据着重要地位,其中尤以赞助人和艺师为要。赞助人作为表演经费的承担者,决定了野台布袋戏的剧本内容;艺师作为布袋戏的实际表演者,则对布袋戏的艺术呈现起着至关重要的作用。

As an important type of traditional drama in Fujian and Taiwan Provinces, Budai Puppet Show is an ＂Outdoor Drama＂which takes the form of a grass-root class to go to the town stage for performing. In the absence of a restricted space such as theater, which led to the imbalance problems of power, puppet show was subject to the special power structure of outsiders. In the outside power structure of the Taiwan Budai Puppet Show, especially patrons and artistes took up important positions.