场景缺失与主体互动:山西河曲“走西口”民歌的离别

Scene Absence and Subject Interaction:The Parting of "Zouxikou" Folk Songs in Hequ, Shanxi

"离别"是山西河曲"走西口"民歌的典型场景。独唱形式、文本作者和文本录体现着单声音、单叙述和单主体记录的场景缺失。跨文本的阅读,将"别前""别中"和"别后"的离别主体互动,在读者接受层面重新构造完整的场景,带入自我的体验和情感,实现双重美学价值。

＂Parting＂ is the typical scene of ＂Zouxikou＂ folk songs in Hequ, Shan Xi. Solo form, text author and text record reflected the scene absence of single sound, single statement and single subject. The cross-text reading could make the subjects interact in ＂before parting＂, ＂parting＂ and ＂after parting＂,reconstructed the complete scene in the level of reader＇s acceptance, produced the feelings of self experience and emotion, and achieved double aesthetic effects.