摘要
上世纪20年代,在启蒙与救亡的双重变奏中,救亡压倒启蒙,思想变革与个性解放逐渐被政治运动取代。一些不愿过多介入政治的自由主义作家,在创作中继续思想启蒙的同时,也对启蒙进行了反思。启蒙不仅仅是开启封建思想导致的蒙昧,更是为了人的自由与人的自我解放。林语堂的《秋天的况味》与郁达夫的《故都的秋》,正是通过对性灵与真我的追求探寻人的自由与人的自我解放。
The National Salvation overweighed the enlightenment movement in the 1920 s,which replaced the ideological reform and individual liberation with political campaigns.However,some liberalist writers refrained from politics,pondering on enlightenment in their works.The purpose of enlightenment is to dispel the effects of spiritual obscuration and advocate the liberty and liberation of individual spirits,which is embodied in the pursuit of free style and real self in The Taste of Autumn and Autumn in Peiping.
作者
唐敏
TANG Min(Department of Film and Television Drama Literature,Sichuan Conservatory of Music,Chengdu,Sichuan 610500,China)
出处
《盐城师范学院学报(人文社会科学版)》
2018年第3期73-78,共6页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
基金
四川音乐学院科研资助项目"现代散文启蒙思想研究"(CYXS2017029)
关键词
林语堂
《秋天的况味》
郁达夫
《故都的秋》
启蒙
性灵
自由
Lin Yutang
The Taste of Autumn
Yu Dafu
Autumn in Peiping
enlightenment
free spirit
liberty