戏曲研究的学科结构

On the Discipline Structure of Chinese Opera studies

戏曲研究是"戏剧与影视学"一级学科的重要组成部分。戏曲研究有特殊的学科结构,由于"剧种"成为戏曲领域被普遍接受的分类学标准,戏曲的史论研究形成了以京剧、昆曲研究为前导、各剧种史论研究相继展开的格局。戏曲文学与音乐等专门史的研究还有待推进,戏曲表演和舞美的研究更明显滞后,但因为戏曲文献的发掘整理工作迅速升温,这一局面有望优化。当代戏曲的研究也是戏曲研究的重点之一,而各类泛戏剧的研究,与戏曲研究互为奥援,都为戏曲研究在"戏剧与影视学"学科中的突出地位提供了有力的学术支撑。

Chinese opera studies, as one major part of the first class subject of theatre and film studies, has its own special discipline structure. Since types of Chinese opera have been generally recognized as the standard of categorization in the field of Chinese opera study, Peking opera and Kunqu opera, followed by other types of Chinese opera, have been included in the theory and history study of Chinese opera. Up till now, special history studies of opera literature and music are yet to be promoted while research on opera performance and stage design is still a lag behind, which, though, is possible to improve thanks to a noticeable rise in the discovery and collection of opera literature. The study on modem opera, one of the key elements of opera research, together with various general drama research, provide a solid academic support for opera research as a major part in theatre and film studies.