摘要
传统木纹彩陶瓷兴盛于清代雍正、乾隆时期,20世纪90年代初得到复兴与传承。从"非遗"角度来看,传统木纹彩陶瓷蕴涵与承载着我国传统工艺观、延续和体现着我国传统审美观、表现着景德镇传统陶瓷艺术的多样性与包容性,需采取加强传承人的培养、坚持民族化路线、深入挖掘内涵等传承策略。
The traditional wood grain color ceramic flourished in the period of Yong Zheng and Qian Long in the Qing Dynasty, and was revived and inherited in the early 90 s of the last century. From the perspective of intangible cultural heritage, the traditional wood grain color ceramic implication and carrying our traditional concept of craft, and embodies the continuation of Chinese traditional aesthetics, presents Jingdezhen traditional ceramic art diversity and inclusiveness, to strengthen the training, adhere to the inheritance of the national route, dig the connotation of inheritance strategy.
作者
王国喜
WANG Guoxi(Jingdezhen Innovation folk art ceramics Institute, Jingdezhen 333000, Chin)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2018年第7期85-88,共4页
China Ceramics
关键词
传统木纹彩陶瓷
“非遗”
传承
Traditional wood grain color ceramics
Intangible cultural heritage
Inheritance