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音乐文论标题及序码应用之相关问题 被引量:1

Related Issues about Titles of Music Theory and Application of Sequence Coding
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摘要 在音乐文论的书写抑或具体的编辑实践中,首先面临的问题往往是标题的提炼与设定,同时还包含文论之中各个次级结构所使用的分支标题及其序码的使用。本文结合音乐文论的书写现状,将标题进行分类阐释,对各级标题设定的原则、存在的主要问题以案例剖析形式予以概括;同时,对于次级标题所用的三类序码系统进行对比,建议在音乐文论书写时首选章节式序码为宜。 When it comes to the writing of music theory or its specific editing practice, the first and foremost problem tends to be the refinement and setting of titles that in the meantime includes subtitles used in various secondary structures and the application of sequence coding in the article. In view of the current situation of music theory writing, this paper will have a classified interpretation of titles and summarize the setting principles of titles of all levels and main problems in the form of case analysis. Moreover, after a comparison of three types of sequence coding systems adopted in secondary titles, it is advised to apply section-styled sequence coding in music theory writing.
作者 陈荃有
出处 《南京艺术学院学报(音乐与表演版)》 2018年第2期1-8,共8页 Journal of Nanjing Arts Institute:Music & Performance
基金 2011年度国家社科基金艺术学一般项目"音乐文本编辑理论与实践"(项目批准号:11BD031)的阶段性成果
关键词 音乐文论 标题设定 标题序码 音乐编辑学 musical theory title setting sequence coding of title music redactology
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