音乐时间意识结构及其特征研究

A Study of the Structure of Music Time Consciousness and its Characteristics

在已有的认识中,无论是把音乐作为人的存在方式,还是把时间作为音乐作品的存在方式,都以时间在音乐中的流逝性——即不断自我否定的运动方式为研究的切入点,对音乐的客观时间作出分析和解释。为此,音乐是时间的艺术,已被人们所普遍接受,音乐的一切要素无一不在时间中展开。从时间意识结构及其特征这两方面来反映音乐时间意识特征,可以看到音乐的所谓时间特征实际上是人为的时间意识,无论是西方艺术音乐还是民间音乐,都在人为的时间意识中展开着多样的发展。

It is acknowledged that previous studies have been conducted from the angle of fluidity of time in music, i.e. a way of movement with continual self-denial, to analyze and interpret the objective time of music, regardless of whether music is seen as a way of existence for a human being or time is seen as a way of existence for a piece of music. Therefore, it has been widely accepted that music is a temporal art and every single element of music unfolds itself in time. These two aspects, i.e. time consciousness structure and its characteristics, ref lect the characteristics of music time consciousness. It can be seen that time characteristics of music are actually ar tificial time consciousness, and a diversified development of both western ar t music and folk music would be carried out in artificial time consciousness.