谈艺术创作领域中的“误读”——从王向峰与王充闾先生关于《一图三解诗情远》的讨论谈起

On “misreading” in the field of artistic creation——Based on the discussion between Xiangfeng Wang and Chonglv Wang on the article “Deepgoing Affection in Three Poems to Interpret One Picture”

一般情况下,人们将"误读"的视线聚焦于文艺接受的领域内,而认为与创作无涉,接受者对文本意义进行确定性的追索成为"误读"理论探讨的核心问题。然而,《一图三解诗情远》中作者的创作过程却引发了笔者对创作领域"误读"现象的思考。对此,本文尝试将作为现代阐释领域的"误读"理论引入创作"误读"之中,将"误读"理论的内涵向创作环节进行延伸,并以创作"误读"理论与"灵感""陌生化"理论的关系为例试做辨析,探讨创作"误读"理论存在的合理性及价值。

Genarally speaking,＂misreading＂is focused on the field of literature and art acception and has nothing to do with creation.The core issue of＂misreading＂theory is that the reader explores certainty recourse of the text meaning.However,the author＇s creative process in the article＂Deepgoing Affection in Three Poems to Interpret One Picture＂triggered some thoughts on ＂misreading＂phenomenon in the field of creation in this paper.Based on this case,the paper tries to introduce the＂misreading＂theory of modern hermeneutics into creative＂misreading＂and extend the connotation of＂misreading＂theory to the creative process.Also it discusses the rationality and value of＂misreading＂theory on creation by differentiating and analyzing the relationship between the theory of＂misreading＂,＂inspiration＂and＂defamiliarization＂.