布列松·玛丽莲梦露·出走的“娜拉”——论《嘉年华》的美学风格

Bresson,Marilyn Monroe and Runaway Nora——Aesthetic Style of the Film Angels Wear White

文晏践行作者导演的电影理念,使用极简主义大师布列松的电影理念,塑造了《嘉年华》冷峻、克制的美学风格,并以玛丽莲梦露作为文化符号,叙述了梦露被凝视、被欺凌、被拆除的过程,刻画出生活在男权之下的娜拉群像,并对娜拉出走一事不设定论,引人深思。

Vivian Qu,a auteu in the PRC,practiced the film idea of the author-director as she employed minimalist master Bresson＇s film concept in shaping the movie＇s stark and restrained aesthetic style in her film Angels Wear White producted in 2017. She used Marilyn Monroe as a cultural symbol in telling the process of Monroe being stared,bullied,and dismantled,and in depicting Nora＇s group picture in a patriarchial society. The film did not set a conclusion to Nora＇s escape in order to encourage audience to think.