达弥施艺术史论研究范式及其当代意义

Damisch's Art History Research Paradigm and Its Contemporary Implication

作为20世纪艺术史论研究的两大主导范式,审美论和文化政治论所导致的线性艺术史叙事和对艺术品物性层面的忽视是其理论缺憾。法国艺术史论家达弥施所建构的艺术史论研究范式,以法国科学史学派的思想为指导,超越了审美论和文化政治论的理论窠臼,揭橥了艺术史的断裂图景与物性,为当下艺术学研究提供一种必要的张力。

Aesthetic autonomy theory and cultural-political theory as two dominant research paradigms of art history during twentieth century, which lead to linear narration of art history and neglect the objecthood of artwork. French art historian Damisch's art history research paradigm guided by French Scientific School's thought, transcends aesthetic autonomy theory and culturalpolitical theory, reveal the cracked scene and objecthood of art history. Damisch's paradigm provide the essential tension for art theory.