摘要
朱熹以其即物穷理的格物精神贯注于诗画游艺之中,形成别具一格的艺术风貌。其题画诗往往是与画面融合一体的佳作,既描绘出了画中之景,又能昭示并进而延展画外之意,从而使所题画作之品格更为超妙高逸。他的题山水画诗与其山水诗之写法有着异曲同工之妙,令人读之如见其画,如临其境;或抒发胸臆,或开展议论,可谓情理兼备而意趣丰盈。朱熹在观画中天地生物气象与自我写真时,又流露出对自己生命状态与心性修养的凝视与叩问,使其题画诗与画作之间实现了完美的互文。在诗歌创作与绘画品题中,朱熹的哲人风采和理学身份遮蔽下的文人情怀得到了淋漓尽致的彰显。
ZHU Xi, with his spirit of investigating the principles, was absorbed in the art of poetry and painting, forming a unique artistic style. His painting poems are often fine works integrating with pictures, which not only depict the scene in the painting, but also reveal and extend the meanings beyond the paintings, which makes the character of the painting more wonderful and elegant. His poems for the landscape paintings and landscape poetry share the same beauty with both reasons and interests, either expressing feelings or carrying out discussions, making the readers see the pictures from the poems, as if they were there. ZHU Xi's gaze and inquiries on his life state and mental accomplishment were revealed when he looked at the works of God and self-portrait in his paintings, which makes his painting poems and paintings achieve a perfect intertextuality. ZHU Xi's philosophical demeanor and scholar feelings under the mask of literati identity have been vividly demonstrated in his works of poetry and painting.
作者
杨万里
YANG Wan-li(School of Chinsese Language and Literature,Shanxi University,Taiyuan 030006,Chin)
出处
《西南交通大学学报(社会科学版)》
CSSCI
2018年第4期35-42,共8页
Journal of Southwest Jiaotong University(Social Sciences)
基金
国家社会科学基金青年项目"宋明理学家‘游艺’之学与文艺思想研究"(17CZW021)
关键词
宋代文学
朱熹
题画诗
山水诗
格物穷理
游艺
Literature of Song Danasty
ZHU Xi
painting poems
landscape poems
investigating the principles
practise in art