琵琶协奏曲《春秋》的曲式分析及演奏技法运用

The Analysis of the Musical Form and the Application of Performance Techniques of the Pipa Concerto "Spring and Autumn"

琵琶协奏曲《春秋》主题鲜明,层次分明,结构清晰,巧妙地将西洋20世纪和声手法与中国传统调式和声相结合,运用了扫拂滚、长轮、泛音、推拉音、绞弦、快速琶音、左手虚滑等大量琵琶演奏技法来表达中国人对自己民族古老、辉煌而又博大精深的文化成就的崇拜、赞颂和追溯之情。对作品曲式结构进行分析,可使演奏者对乐曲整体布局有所掌握,并进行理性分析,从而更好地理解乐曲。对演奏技法运用进行分析,有助于演奏者选用较合理的技法来表达音乐,实现二度创作,最终更准确地表达出作曲家的创作意图。

Pipa Concerto ＂spring and Autumn＂ theme, clear, clear structure, skillfully Atlantic twentieth Century sound practices and Chinese traditional harmony combined, using swept over rolling, round, overtone, push-pull sound, played, rapid arpeggios, left a lot of deficient of pipa playing techniques to express Chinese to our national ancient, brilliant and broad and profound cultural achievements of the worship, praise and back. The article introduced from music, musical form analysis and technique three aspects carries on the analysis to the Pipa Concerto ＂spring and autumn＂. Analysis of the works of musical structure can make the performer grasps to the music the overall layout, and rational analysis, so as to better understand the music. Analysis of playing techniques used helps players select reasonable technique to express music, realize two degrees of creation, and ultimately more accurately express the composer＇s intention.