弹性十二平均律大扬琴的制作构想

The Making of the Elastic Twelve Average Law Big Dulcimer

本文主要结合李曙明先生关于"弹性十二平均律"相关论述与扬琴音律及形制的结合,依附扬琴体现弹性十二平均律属性,对其制作过程中的音律进行详细阐述。通过对中国扬琴音律不断扩大的剖析,进一步探索中国扬琴音律衍变的主要因素,并结合自己的专业经验,同时借鉴钢琴调律,对扬琴音律的调试进行深入的探讨,依据影响扬琴音律的客观因素,对扬琴音律的不稳定性进行诠释。

This article mainly combines with Mr. Li Shuming＇s ＂elastic twelve mean law＂ and the combination of the rhythm and form of the dulcimer, and the twelve average law of the elasticity of the attached dulcimer, and expounds the rhythm in the process of making it in detail. Through the analysis of the continuous expansion of the sound law of the Chinese dulcimer, we further explore the main factors of the evolution of the Chinese dulcimer, and combine my own professional experience and draw lessons from the piano regulation, and make an in-depth discussion on the tuning of the rhythm of the dulcimer, and explain the instability of the rhythm of the dulcimer according to the objective factors that affect the rhythm of the dulcimer. Release.