穿越时空的“归乡”言说——鲁迅《故乡》与张承志《黑骏马》的比较阅读

The Comparative Reading of Lu Xun'S Hometown and Zhang Chengzhi's Black Beauty

"归乡"作为中国文学的重要母题,一直延亘于作家的精神血脉之中。五四时期,鲁迅在《故乡》中开"归乡"言说之新境界。上世纪八十年代,张承志的《黑骏马》则是对传统"归乡"母题的呼应与延伸,但两位作家笔下归乡者的形象、归乡模式及归乡结局均存在较大差异。本文旨在以《故乡》和《黑骏马》的比照性阅读为研究基础,探讨当代作家张承志与现代大师鲁迅在"归乡"主题上的精神联结和文脉渊源。

As an important theme in China literature, ＂Homecoming＂ has always existed in the writer＇s spirit and cutural context. In the ＂May 4 th＂ period, Lu Xun created a new ＂homecoming pattern＂ of Chinese literature in his Hometown. And in 80 s, Zhang Chengzhi＇s Black beauty was the echo and extension of the traditional motif of ＂Homecoming＂. But their novel＇s character images, narrative modes and the endings are quite different. Based on the comparative reading of Lu Xun＇s Hometown and Zhang Chengzhi＇s Black beauty, this article aims to explore the spiritual connection and cutural origins on the theme of ＂Homecoming＂ between these two writers.