摘要
清代舒位的《春秋咏史乐府》注意到了咏史乐府诗在内容上"详于后代而略于春秋"的不足,故以春秋史实作为书写对象,在咏史乐府诗史上起到了补阙作用。《春秋咏史乐府》以《左传》为"本事",140首春秋咏史乐府诗的叙事与议论均围绕其"本事"——《左传》展开。同时,舒位运用了对比及诙谐的艺术手法使咏史乐府诗的议论更具隽永的诗味。
Shu Wei noticed the shortcomings of the content of poems on history that most poems had been written about things occurring in the later dynasties rather than in the Spring and Autumn period.Therefore, the spring and autumn history was used as the object in his poem writing, which plays an important role in the history of Yuefu poems and fills a vacancy in the field of the creation of poems."Yuefu of the Song of the Spring and Autumn Period"is mainly based upon Zuozhuan, in which around 140 pieces of both narrations and arguments about the Spring and Autumn period are all around Zuozhuan.Meanwhile, Shu Wei used the artistic technique of comparison and humor to make the discussion of Yuefu poems of history more meaningful.
作者
常亮
Chang Liang(School of Literature,Hunan Normal University,Changsha Hunan 410081)
出处
《长治学院学报》
2018年第3期58-61,共4页
Journal of Changzhi University
关键词
舒位
咏史乐府
《左传》
艺术风格
Shu Wei
Yuefu of the song
Zuozhuan
artistic style