摘要
贵州麻山地区的毛龚"亚鲁"吹打乐的复兴传承,是民间音乐在社会经济快速发展的当下得以传承的代表个案之一。以"局内人"的身份通过多年不间断的田野考察,认为表层因素的主客作用和深层因素的身份认同与传统礼俗是毛龚"亚鲁"吹打乐复兴传承的重要条件,文章就上述条件对其复兴传承的具体体现逐一展开论述。
The revitalization and transmission of Hmong Maogong Yalu wind instrument and percussion in Mashan area, is a typical case of the successful transmission of folk music under the rapid development of society. As an engaged one, the author holds that subject and object function belonging to surface factor, identification and traditional customs belonging to in-depth factor are both important conditions for the revitalization and transmission of Hmong Maogong Yalu wind instrument and percussion, according to consecutive years of field investigation. The article aims at discussing the conditions above embodied in specific performances one by one.
作者
梁勇
袁伊玲
LIANG Yong;YUAN Yiling(Colleges of Arts,Anshun University,Anshun,Guzhou,561000,China;School of Foreign Languages,China Three Gorges University,Yichang,Hubei,443002,China)
出处
《贵州大学学报（社会科学版）》
2018年第4期108-112,共5页
Journal of Guizhou University(Social Sciences)
基金
国家社科基金项目"史诗<亚鲁王>的搜集整理研究"(13BZW172)
教育部人文社科青年课题"史诗<亚鲁王>音乐研究"(2013YJC760055)
关键词
“亚鲁”吹打乐
主客作用
身份认同
传统礼俗
复兴传承
Maogong in Mashan area
Yalu wind instrument and percussion
subject and object function
identification
traditional customs
revitalization and transmission
