期刊文献+

论歌劳莉亚·奈勒《妈妈·戴》中的伏都文化

On the Voodoo Culture in Gloria Naylor's Mama Day
下载PDF
导出
摘要 著名黑人女作家歌劳莉亚·奈勒在小说《妈妈·戴》中将伏都文化融入虚构的叙事中,以祖先崇拜的方式挑战白人的上帝信仰。小说中的伏都文化具有包容、开放、发展的特点,能和白人宗教调和,并保持自己的独立性,是黑人文化独立、自信的表现。
作者 廖新丽
出处 《普洱学院学报》 2018年第1期81-83,共3页 Journal of Pu'er University
  • 相关文献

参考文献3

二级参考文献46

  • 1Conde, Maryse. "Afterword: An Interview with Maryse Conde. " With Anne Armstrong Scarboro. I, Tituba, Black Witch of Salem. Trans. Richard Phicox. Charlottesville: UP of Virginia, 1992. 198-213.
  • 2Dayan, Joan. "Vodoun, or the Voice of the Gods. " Raritan 10 (Winter 1991 ) :40-51.
  • 3Deren, Maya. Divine Horsemen: The Living Gods of Haiti. New Pahz, New York: McPherson, 1983.
  • 4Foley, Barbara. "History, Fiction, and the Ground Between: The Uses of the Documentary Mode in Black Literature. " PMLA 95 (1980) :389-403.
  • 5Jessee, Sharon. "Ishmael Reed's Multi-Culture: The Production of Cultural Perspective. " MELUS 13 (Fall-Winter 1986) :5-14.
  • 6Lock, Helen. "'A Man's Story is His Gris-Gris': ishmael Reed's Neo-HooDoo Aesthetic and the African-American Tradition. " South Central Review 10 (Spring 1993 ) :67-68.
  • 7Martin, Reginald. Ishmael Reed and the New Black Aesthetic Critics. London: MacMillan Press, 1988.
  • 8Reed, Ishmael. Flight to Canada. New York: Random House, 1976.
  • 9Rigaud, Milo. Secrets of Voodoo. Trans. Robert B. Cross. San Francisco: City Lights, 1985.
  • 10Rushdy, Ashraf H. A. "Ishmael Reed's Neo-Hoodoo Slave Narrative. " Narrative 2 (May 1994) :113-39.

共引文献3

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部