北宋词调声律考析(一)

An Analysis of the Ci Tone and Rhythm of the Northern Song Dynasty

唐宋词作为音乐之文学,其先乐后词的词乐配合方式决定了同一词调不同词人创作在分片、字数、声韵、句法等方面的高度一致,其变化也有很强的规律性。然由于乐谱失传及文献传播中的错讹,也由于相关词学理论的不健全,以致唐宋词众多词调及同调作品在分片、用韵、断句等方面尚存在诸多问题。其中又以当意断与韵断、句断出现矛盾时,随意断句的问题尤为突出,而又多有本无矛盾而理解分歧以至错乱者。今试对北宋部分词调及同调词作的分片、声韵、句拍等在前人分析的基础上做一些辨析。

As musical literature, Tang and Song Ci used to be composed in accordance with given musical patterns, which determines the high consistency of different poets＇ creations with the same ci tune in terms of tone, structure, word number,sound and syntax, and some variations are rigidly regulated. However, because of the loss of musical scores and errors in transmission of written texts, together with shortness of related sound theory of Ci, there are many problems in the tones of the Tang and Song Ci to be solved such as inconsistence between rhyme and sentence, especially contradiction between meaning and rhyme as well as sentence breaks. The problem of arbitrary punctuation is especially prominent. This paper tries to discriminate some parts of the Northern Song Ci from the perspective of previous studies.