被“显学”化的材料技法——关于高等院校漆画课程教学的思考

Overemphasized Material technique—Thoughts about lacquer painting teaching in colleges and universities

从传统漆器艺术走出来的漆画专业,在高等院校课程教学中难免要受漆器艺术表现的工艺意识及其材料技艺的复杂度影响,这种影响使得材料技法一直在现代漆画教学中占据着大量的课程,也让材料技法一直成为高等院校漆画教育中绕不开的话题。这种在已脱离漆器独立成绘画的漆画专业的教学中,对材料技法过度被强调的重要性,笔者称其为材料技法的被"显学"化。如何在课程教学中打通材料技法和创作间的壁垒,使学生由单纯的表现材质技法转化为"质料和形式相结合"的"内容",建立适合于现代漆画自身的教学理论体系是本文思考和探讨的问题。

It is hard for lacquer painting which is derived from the traditional lacquer art to avoid the influence of the craft consciousness expressed by lacquerware art and the complexity of the material skill in the course teaching of colleges and universities, and this influence not only makes the material skill occupying a lot of courses in the modem lacquer painting teaching, but also makes the material skill becoming one of es- sential topics in lacquer painting education in colleges and universities. In the teaching of lacquer painting which has been independent and separated from lacquerware, the material skill is overemphasized. How to get through the barriers between material skill and creation in the course teaching, make the students trans- form the way of simply expressing material skills into ＂the content＂ which combines ＂material and form＂, and set up the teaching theory system which suitable for the modem lacquer painting itself is the issues which is considered and discussed in this thesis.