摘要
传统的文学风景研究侧重文学风景的审美研究,在诗歌等抒情文体中将风景视为创作的抒情对象;在小说等叙事文体中着重风景的叙事功能和类型研究.进入21世纪后,文学风景研究发生“文化转向”.风景被视为文化建构、解构与重构的产物,文学风景研究即破译风景中隐匿的丰富符码,阐释风景在文本中的深层含义.文学风景研究的“文化转向”主要体现在风景与文学现代性研究、风景与民族身份认同研究、风景与意识形态(权力)关系研究三种研究路径和主流范式.
Traditional research focuses on the aesthetic study of literary landscape:the landscape is regarded as the lyric object of creation in poetry and other lyrical style,and the narrative function and types of scenery is emphasized in novels and other narrative styles.After entering twenty-first Century,the culture turn on literary landscape research has happen.Literary landscape is regarded as the product of cultural construction, deconstruction and reconstruction.Literary landscape research deciphers the hidden codes of landscapes and explains the meaning of landscapes in texts.There are three research paths and mainstream paradigms on literary landscape:the relationship between landscape and Literary Modernity,the relationship between landscape and national identity,the relationship between landscape and ideology or power.
作者
周爱勇
朱伟华
ZHOU Aiyong;ZHU Weihua(college of arts, guizhou normal university guiyang, guizhou, 550001)
基金
本文系贵州省教育厅高校人文社科研究项目《文化转型视角下作为想象共同体的文学风景研究》(2016ssd15)阶段性成果.