摘要
本文结合大唐时期多样、丰富、过渡的文化特征,对月牙凳的起源及形制进行探讨。形制探讨主要集中在凳面形状以及腿足两部分。同时,月牙凳也使用了彩绘、雕刻等多种装饰技艺,符合当时审美,用材多样,注重舒适性。笔者认为月牙凳体现了大唐的盛世文化,传承了外在与内在统一的设计思想,象征着女权主义的高涨,具有较高的文化价值。
This paper explored the origins and shapes of the stool in crescent shape by combining the rich,colorful and transitional cultural characteristics of the Tang dynasty.The study on shape focused in aspects of the surface shape and legs of the stool.The painting,sculpture and other decorative techniques were also used in the stool in crescent shape,which were conformed to the aesthetic appreciation,diversity in materials,and comfort-focusing in that day.The stool in crescent shape has a high cultural value embodied in the prosperity of Tang culture,inheritance of the external and internal unity of design,and a symbol of the upward of feminism.
作者
陶鑫
徐伟
TAO Xin;XU Wei(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)
出处
《家具》
2018年第4期47-50,共4页
Furniture
基金
江苏省高校优势学科建设工程资助项目(PAPD)
关键词
月牙凳
唐朝
形制
文化
crescent stool
Tang Dynasty
shape
culture