摘要
交椅作为明代家具中折叠坐具之代表,萨文纳罗拉椅作为文艺复兴时期意大利典型的折叠椅,两者在结构、造型、使用阶层、功效用途及家具设计史上之地位等诸多方面,有广泛共通点。通过初步分析,两者应是在各自文明体系内独立发展形成,18世纪前没有相互影响,可作为中西传统座椅的典型。本文以这两把椅子为例,通过文献探讨和图像分析,比较明代和文艺复兴这两个特定文明历程中的家具,在审美认知、制造工法、设计理念、装饰风格等方面的异同,进而探讨不同文明形态下所凝结的工匠传统,及对当前产品设计理念的影响。
Folding Chair was a representative seats in the Ming Dynasty,Savonarola Chair was the typical folding chair during the period of Renaissance in Italy.Both chairs have many in common,such as structure,shape,users,utility and status in the history of furniture design.Through a preliminary analysis,we can see that both developed independently within their own civilization system,without interaction to each other until the 18 th Century.This study takes the two chairs as examples,compares the similarities and differences of furniture in aesthetic cognition,manufacturing methods,design concepts and decorative styles between the Ming Dynasty and the period of Renaissance through literature review and image analysis,in order to discuss the craftsmanship condensed under different civilization,and the influence on current product design.
作者
高琪
王一如
姜超
GAO QI;WANG YIRU;JIANG CHAO
出处
《设计》
2018年第11期94-97,共4页
Design
关键词
明朝交椅
文艺复兴家具
家具设计
中西方设计比较
Spot of the Ming dynasty
Renaissance furniture
Furniture design Design comparison between chinese and western