台湾古典诗创作的未来可能性——从台北文学奖“台北经验”视角出发

The Future Possibility of Taiwan Classical Poetry's Creation——From the Perspective of "Taipei Experience" in Taipei Literary Prize

从2012—2017年台北文学奖古典诗组获奖作品来看,"台北经验"的设定是古典诗创作的一把双刃剑,虽然收获了一些符合古典诗创作标准又带有"台北经验"的作品,但阻挡了一些富有新意的题材与内容的出现,使新作在整体上依托前人累积下来的获奖主题和内容,形成了既定路线和固定范式,对创作的创新性产生了不利影响。由于古典诗创作入门门槛高,台北文学奖古典诗的来稿量远不及小说、散文和现代诗。为寻求古典诗未来更好的发展,可以从历史中寻找经验,借鉴"诗界革命"提出的新颖想法,对创作进行深化改良,使新旧并存,创造古典诗创作更好的未来图景。

To observe the prize-winning works of classical poetry group in Taipei Literature Prize from 2012 to 2017, the setting of ＂ Taipei Experience＂ was a double-edged sword for classical poetry creation.Although it harvested some works that were full of ＂ Taipei Experience＂ and met the standards of classical poetry creation, it blocked the appearance of some topics and contents with innovative philosophies. Those blue-ribbon works relied on the award-winning themes and contents accumulated by the previous generation as a whole,forming an established route and a fixed paradigm, which was detrimental to the innovation of poetry creation. Due to the difficulty of access to classical poetry creation, the volume of classical poetry in Taipei Literature Prize is far less than that of fiction, prose, and modern poetry. In order to seek for the better development of classical poetry in the future, we can search experiences from the history and learn from the novel ideas put forth by ＂the Revolution in Poetry Society＂. By doing so, one can deepen and polish the poetry creation which enables both the old and the new works to coexist, and to create a more desirable picture of the future classical poetry creation.